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What Else I Collect

I was able to attend the monthly meeting of the local Depression Glass Club this past week, and discovered yet another reason to enjoy the organization and appreciate its members.

The group doesn’t meet in November because we’re all busy using our best china and glassware to serve our Thanksgiving dinners. We don’t have a formal meeting in December either because we’ve set aside an evening of holiday merrymaking that includes feasting, playing games, and winning glorious vintage glass as the prizes, of course.

With no more formal meetings this year, the club had to consider its programs for 2019 this month. When the president asked for suggestions, the members came through a number of popular kinds of Depression Glass, including the following:

  • salt and peppers
  • pitchers and beverage sets
  • kitchenware
  • elegant stemware
  • candlesticks
  • dresser pieces
  • children’s sets
  • glass animals
  • holiday pieces
  • Vaseline glass
  • teacups

As a teapot collector, I’d readily vote for a program on vintage glass cups and saucers any day. When another member suggested including teapots, too, I voted with both hands.

(Unfortunately, I don’t have an antique glass teapot, so I’ll have to ask Santa to include a gift certificate for a shopping spree, which means I’ll have to work hard to stay on the nice list until then.)

In the meantime, I can take solace in the fact that the very first suggestion for the glass club’s 2019 schedule was “What else I collect,” which was met with a rousing round of applause.  Okay.  Maybe I just imagined that part.

Even so, I love it. I absolutely, positively love it: People who are dedicated to collecting glassware of the Depression Era area also crazy about other collectibles, too. Just like I am.

They’re my kind of people through and through, and I appreciate the time and effort, knowledge and talent they all put in to building their intriguing, impressive collections.

Why not check out the Depression Glass Club’s Facebook page and then join us for a meeting in 2019? You’ll probably like the group as much as I do.

Patti
The Committed Collector

How about you? Do you have multiple collections, too? If so, please leave a comment and tell us about the things that attract your fancy.

© 2018 The Collectors of Western New York Museum.
All rights reserved.

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18 Tips for Collecting Roses

As a member of The Greater Rochester Rose Society, I know that most of the members are rose lovers and readily say they grow roses. Many of them are all-around gardeners, too, so they say they garden with roses. I’m probably the only one who says, “I collect roses,” but I think the other members should consider that’s exactly what they do, too.

Collecting by definition means amassing a quantity of similar or related items, and it seems to me that’s what we members of the local rose society do. Just as another collector might focus on bottles, we focus on roses, and anyone who has 200 rose bushes growing in their yard is a collector in my book.

As we buy additional rose bushes, we rose growers/gardeners/collectors also take into account features like color, size, shape, and variety—just like another collector might have green Depression Glass or miniature clocks or spherical vases or assorted marbles.

The fact that our floriferous collection is a living one—and lives outside the house, for that matter—is irrelevant to me, the committed collector, for a collection is a collection is a collection.

Consequently, I’ve asked the members of the Rose Society to consider what decisions they make as they choose new roses each season or decide which ones to add to their garden designs, and here is their advice:

Suggestions for Collecting Rose Bushes
Courtesy of The Greater Rochester Rose Society

1. Since this collection features living plants, buy rose bushes only from reputable sellers, so you start with healthy, hearty plants.

2. To assemble a collection of rose bushes that are most likely to survive our winters in Western New York, consider buying roses with their own root stock rather than those grafted onto another’s. Or, at least, talk to your neighbors who grow roses, so you can collect ones that do well in our area.

3. An additional way to choose roses for their hardiness is by noting their suitability for our hardiness zone. Being south of Lake Ontario puts most of us in Zone 6. Depending on your specific conditions, landscape, and micro-climate, you may need to collect roses that are fit for one zone either way.

4. To ensure that your collection is always looking its best, chose roses that are known for another kind of hardiness—their disease resistance.

5. If you’re new to roses, visit the website of the American Rose Society, www.rose.org. Among its valuable information is what you’ll need to decide if you want to collect Floribundas or Shrubs or Climbers or Old Garden Roses, for example. The website explains the different classes of roses, their shapes, their growing habits, and their bloom cycles, so you can decide if you want to collect some of each or specialize in one kind or another.

6. If you’re adding rose bushes to a garden or designing a new one, check out a resource like the book Right Rose, Right Place, so you can choose the appropriate roses for your yard and its conditions.

7. If you’re growing roses to exhibit in rose shows, or if you simply want a stellar garden display, collect only roses that have high ARS scores, which are compiled by the American Rose Society based on information from thousands of gardeners around the country. Roses with high scores are often thought to be among the most beautiful.

8. Consider fragrance, too, as a primary feature of this collection. After all, everyone instinctively puts their nose in a blossom hoping there’s a heady scent. Some of the rose bushes suggested for a “fragrance” collection include Double Delight, Perfume Delight, Sunsprite, and Mr. Lincoln.

In addition, make “display” decisions based on the strength of the rose’s perfume. For example, in a bed, you might display (plant) strongly scented ones away from each other, so you can enjoy their differences. Also, you might display (plant) particularly fragrant ones near your entrance or deck, so you can be around their scent often.

9. One deciding factor for many collectors is color, and rose lovers are no exception. If you love vibrant hues and many shades, consider choosing a variety of them and then alternating the specimens in your rose collection by color. (In other words, plant roses of different colors so they alternate with each other.)

10. Conversely, consider planting monochromatic rose beds or ones of complimentary colors. By choosing roses all in one shade, like pink or white, you can go for maximum impact. By buying roses that go well together, like purples and yellows, your display will have a different effect.

11. If you’re fastidious about color: (1) buy rose bushes only when they’re blooming or (2) buy a color wheel and note the exact shade of this year’s roses to have handy when you shop next year, or (3) transplant rose bushes if their flower colors clash with those next to them.

12. Another way to curate a rose collection is by having a theme, such as by planting a celebrity garden. Flower beds could include rose bushes named after the famous (like Marilyn Monroe, Dolly Parton, and Elizabeth Taylor) or the important (like Queen Elizabeth, John F. Kennedy, and Billy Graham) or the fun (like Don Juan, Santa Claus, or Graham Thomas, who’s a superhero to rose lovers). Visitors are enchanted by such a cast of characters and can have fun guessing which one is which.

13. One way to have cohesion in a rose bed is to collect rose bushes that are all of the same classes, like Hybrid Teas or English Roses or miniatures. Most of your choices then will have the same general look, growing habits, and needs.

14. Otherwise, if you’re attracted to all kinds of rose bushes, as a true collector would be, buy and display (plant) roses according to their height and overall size, as we would when arranging items in any other collections.

15. Once winter arrives, spend the time poring over books, catalogs, and websites, so you’ll know what you like when rose bushes arrive in the nurseries in the spring. Then you can shop with your design idea in mind.

16. Watch for the local rose shows in 2019, so you can see the blossoms and foliage on hundreds of different varieties. You’ll see different shapes of blooms, for example, as well as different shades of color and different edges of petals. You’ll also get an idea of how small miniature rose blooms are compared to those of standard varieties. Any of these features can be inspiration for starting a collection.

17. All collections need to be maintained, and that’s particularly true of living things, so you can contact your local rose society to find out what type of rose will suit your lifestyle. Each chapter of the ARS has consulting rosarians who are more than qualified to answer your specific questions.

18. The only thing more helpful than contacting a rose society is joining one. The Greater Rochester Rose Society usually meets at 7:00 p.m. on the first Tuesday of the month from March through December. In July, the group has its annual picnic and garden tour, of course.

For more information about the rose society, visit its website at https://greaterrochesterrosesociety.weebly.com/ or send an email message to rochrosesociety@gmail.com.

A warning about collecting roses as well as a word of encouragement from one of the rose society members: “Growing roses is a challenge, yet it’s very addictive. Somehow a few plantings can increase to 65 rose bushes, but it is a most gratifying hobby when the garden is in full flush.”

Spoken like a true collector if you ask me.

Patti
The Committed Collectors

If you’re a gardener who has a particular favorite or a scheme in mind as you choose your plants, why not leave a comment and let us know what features influence your choices?

 

© 2018 The Collectors of Western New York Museum & Gallery.
All rights reserved.

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Guest Post: Enjoying Depression Glass

Last weekend was all about the Depression Glass show and sale for me and many other glass lovers in our area—or should I call them committed glass collectors?

Collecting in Rochester is always fun, but it’s particularly exciting when there’s a big event that brings together a variety of dealers and their wares. The annual glass show did just that by bringing in several out-of-town Depression Glass dealers, a number of local ones, and a number of purveyors of general antiques, which is always fine with me.

I might have mentioned in my last post that I bought a piece of china, four teapots, and a tablecloth at the show and sale. How I managed to resist all that glorious glass still remains a mystery to me. (All right. Very, very limited space might have had something to do with it—so the fear of starting yet another collection was a factor, too.)

As I said, though, I did bring home some new purchases, as did quite a few other collectors I know. Unless we’ve been diligent since then, that means this weekend is all about updating our collections.

I myself still need to unpack my new treasures, give them a gentle washing, add them to my inventory, and then decide how to use them.

Packing them away always breaks my heart. Saving them for special occasions is a disappointment, too. Squeezing more teapots into my china cabinet will be a challenge. (Did I mention lately that I’m planning to open a museum next year for those of us who have far too many items in our collections and far too little space at home?)

Since storing, saving, and cramming in are poor options, I might as well use my new treasures—and I hope you use your special things, too.

To encourage us all to enjoy our vintage glassware more often, the members of The Depression Glass Club of Greater Rochester have provided some helpful suggestions:

Enjoying Depression Glass

1. Keep your glassware easily accessible in a china closet or kitchen cabinet. However, when dishes are stacked on top of each other, be careful not to drag or scrape the top one over the one it sits on because that could cause scratches.

2. Most vintage glassware is still fit to be used or at least displayed. Enjoy displaying your vintage glass bowls or trays, for example, on tables and dressers, but avoid tossing keys and coins into them because doing so will scratch the glass over time.

3. Vintage glass pitchers come in a variety of styles, so it’s easy to find fun ones for everyday use as well as elegant ones for special occasions. At all times, though, carry and pour glass pitchers by holding both the handle and the neck or bottom, too, to avoid putting all the stress in one place.

4. Using your glassware is an easy way to control portion size because older styles are often smaller than contemporary ones. Be careful, though, serving things like coffee or soup in your Depression-Era cups or bowls because overfilling and then spilling are possible.

5. Set a pretty table by serving dinner on your favorite glassware; however, avoid putting vintage glass plates on hot stovetops and into hot ovens—and don’t put them in the microwave at all. Only bakeware and similar pieces were designed to withstand high temperatures in conventional ovens.

6. Use your glass dishware as often as you can, but consider what kinds of food you serve on vintage glass. Avoid entrees like steak or chops that need to be cut with a sharp knife because it’s easy to cut the plates as well as the food.

7. Glassware is great for storing leftovers, but be careful with which kinds of vintage glass you put in the refrigerator. Only sturdy kitchenware, like covered refrigerator dishes, was made to withstand the cold.

8. Enjoy using your Depression Glass, and then give it the TLC is deserves with a handwashing in warm soapy water. However, avoid putting cold or even cool glass in warm water. Likewise, avoid putting cold things into glassware that might be still warm from a recent washing. It’s usually better to let vintage glassware come to room temperature before subjecting it to temperature changes.

9. Although, most Depression Glass is strong enough to still be used, decorative pieces and figurines might be better off simply on display. Some dishes have fancy or openwork rims, and other pieces have fragile edges that can be chipped or broken off easily. So…use your glassware in a display and then be particularly careful when arranging or dusting it. Then sit back and admire how beautiful your glass looks.

If you love vintage glassware as much as I do, why not visit the Depression Glass Club when it meets next month? Visitors are always welcome whether or not they collect glass, and the club even allows in china collectors like me.

I hope to see you at the October meeting. In the meantime, remember to check out the Depression Glass Club’s Facebook page for more details about their upcoming calendar.

Patti
The Committed Collector

If you love using your vintage items, please leave a comment and tell us how you use them. We’re curious to know how others put their treasures to work around them.

 

© 2018 The Collectors of Western New York Museum & Gallery.
All rights reserved.

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Guest Post: Tips for Cleaning & Storing Depression Glass

If you’re a serious collector like I am, you know that collecting is fun. We enjoy going out, hunting, and gathering. We like scoring bargains, and we love finding special pieces. However, we’ve also probably learned that there’s some work to be done once we bring our treasures home.

That’s especially true of a collectible like glassware that benefits from some tender loving care. Fortunately for us, we have a great resource nearby: The Depression Glass Club of Greater Rochester, which is dedicated to the colorful glass of the 1930s and ’40s as well as educating its members and others about it.

As a member of the DGC, I’ve learned a lot about the lovely pink and green glassware that I received from my mother, who had received it from her mother years before. I’ve also learned that some of the members of the club are pretty much experts when it comes to their favorite patterns. That’s because they’ve not only been collecting their Depression Glass for years and years, but they’ve been using it and caring for it as well.

With that much knowledge among its members, the club was able to provide so many tips for collecting Depression Glass that we have another guest post from them today. If you read last time’s post, you know that the club provided some great advice for collecting this iconic American glassware.

Today, the members of the local Depression Glass Club give us some additional suggestions for taking care of our vintage glassware.

From The Depression Glass Club of Greater Rochester…

Recommendations for Cleaning Depression Glass

1. Whether you’re just bringing home a new piece, or taking an old favorite off the kitchen shelf, vintage glassware should be washed by hand in warm water using a mild detergent and soft sponge.

2. Never use any kind of abrasive cleanser on glassware. Never scrub glassware with a steel wool pad, coarse sponge, or stiff brush—and certainly never ever scrub glass with silver overlay or any other kind of decoration on it.

3. To protect glassware while washing it, pad the basin of the sink as well as the edges of the counter with thick dishtowels. Also, be careful not to hit the faucet with the glass.

4. Take care to avoid subjecting your glass to extreme temperature changes. In particular, allow cold glass to come to room temperature before unpacking and washing it, especially in the winter when it comes inside after being in an unheated car.

5. If glassware is grimy or especially dusty, let it soak for several minutes in warm soapy water. Then use a soft sponge to wash it. Soak another time or two if needed. If crevices still remain dirty, gently use a soft toothbrush to work at the grime.

6. After washing, use a soft kitchen towel to dry and polish glassware before it completely air dries, so you can wipe away drops of water and streaks.

7. If your glassware is on display, periodically dust each piece individually with a soft cloth. Avoid using a feather or lamb’s wool duster because both their length and the swishing action make it easy to knock over pieces.

Recommendations for Storing Depression Glass

1. Whether you can display your glassware in a china closet or have to store it in a kitchen cabinet, stand most glassware upright rather than upside down since the rim is usually thinner and weaker than the foot.

2. Avoid stacking cups in each other since that puts stress on the handles and because tall stacks are often unstable and could topple over. Avoid hanging cups on cup hooks, too, because that also stresses the handles.

3. Avoid putting glasses and tumblers into each other because they, too, could become stuck together.

4. Avoid stacking all of your dishes in one tall stack because that puts so much weight on the lower dishes. It also concentrates all the weight on one side, which stresses shelves and could cause them to collapse. Instead, distribute weight evenly on shelves, and store plates and bowls in shorter stacks.

5. To soften the contact between stacked pieces, use white paper coffee filters or paper plates, napkins, or towels between them. Regular, uncoated paper plates as well as paper napkins come in a couple of sizes, and some brands of paper towels can easily be torn to size.

In addition, different paper products come in different thicknesses, so they offer varying amounts of protection. For example, thin coffee filters might offer just enough padding between smaller, lighter dishes, while paper plates are thicker, so they’re better between larger, heavier pieces.

6. In addition, even when stored, place paper napkins or paper towels between the lids and openings of canisters, candy jars, and any other pieces that have covers. Doing so will provide some cushioning and lessen any vibrations between the lid and container.

7. If you need to pack up some of your glassware, layers of bubble wrap with small bubbles is recommended for protecting glass, especially for smaller pieces. Multiple sheets of clean newsprint or packing paper also work well, but newspaper itself is warned against since the ink often rubs off onto the glass.

8. If you need to box up glassware to be moved or shipped, double or even triple all your efforts (with extra bubble wrap, packing materials, and double boxing), or seek out professional advice at local packing and shipping facilities. Remember to label boxes “Fragile” and identify what’s inside.

With the local Depression Glass show and sale coming up next weekend, I hope that what I buy there will fit in my house and not have to be packed up or moved to mini-storage—and even though I don’t officially collect Depression Glass, I do indeed expect to find a treasure or two at the sale.

As always, I’m looking forward to the possibility of finding more of my grandmother’s green glass. I’m also open to being tempted by many of the other glorious glass pieces that I’m sure to see there.

And, if all fails, I trust I’ll be able to find an irresistible piece of antique china (or two or three or maybe even a whole set) since the glass show has been expanded to include other vintage collectibles.

I’ll just have to be patient until then. For now, the details of the show and sale are below.

While we wait, take care, and take care of your collections.

Patti
The Committed Collector

2018 Vintage Glass & Collectibles Sale

• Quality dealers selling antique and vintage glassware, china, pottery, linens, silver, and more
• Glass identification, educational program, door prizes, snacks
• Free parking and handicapped accessibility
• $5.00 admission covers both days

• Saturday, Sept. 15, 10:00 am to 5:00 pm
• Sunday, Sept. 16, 11:00 am to 4:00 pm

• Eisenhart Auditorium, Rochester Museum & Science Center, 657 East Avenue

• For more information, visit the club’s Facebook page at @DepressionGlassClubRochester or send an email to dgclub@rochester.rr.com.

© 2018 The Collectors of Western New York Museum & Gallery.
All rights reserved.

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Guest Post: Ten Tips for Collecting Depression Glass

Do you appreciate beautiful vintage glass? Do you love all the pretty pastel shades or vibrant colors it comes in? Would you like some tips for finding the best glass at the right price? Then read on…

Today, we have our first guest post with some helpful suggestions from one of my favorite organizations, The Depression Glass Club of Greater Rochester, whose members are dedicated to collecting and learning more about that beautiful colorful glass from the past.

Although I’ve been a member for only 13 or 14 years, the local Depression Glass Club was formed 40-some years ago. With a roster of 80 or so members, the DG Club includes collectors with decades of experience among them, so they also have a wealth of information to share about buying, using, and storing this iconic American collectible.

Whether you’re a committed collector of Depression Glass (as I intend to be someday), or newly acquainted with its beauty and charm, I think you’ll find some useful recommendations here—I know I did—including some classic advice and several clever tips from local expert collectors:

Advice for Collecting Depression Glass
from The Depression Glass Club of Greater Rochester

Depression Glass includes the colorful, sparkling glassware made in America during the difficult years of the Depression Era, which is usually considered the period after the Stock Market crash of ’29 until the beginning of World War II.

Such glassware was manufactured in pretty colors or decorated with cheerful designs to help lessen the heartache of the times. Some of the more famous companies that produced such glass patterns are Anchor Hocking, Fenton, and Cambridge.

Depression Glass includes hundreds of kinds of items, such as everyday dishes (that were given away as premiums), elegant glassware (that was sold in jewelry stores), barware (that was often decorated with comical figures), and a host of other items (like ashtrays, knives, and even mousetraps) made of glass.

We’re happy to report that sources of Depression Glass are still plentiful here in Western New York, so collecting this colorful glass is easy in the Rochester area.

If you’re tempted by Depression Glass and need an excuse to start collecting it, or if you’ve been bitten by the glass bug and need a justification for your growing collection, there are several good reasons to collect this kind of glassware.

* Familiar patterns can bring back happy memories of times past with parents or grandparents and holiday dinners when the Thanksgiving turkey tasted so good.

* Better pieces, especially those bought at good prices, might go up in value, so they could be an investment.

* Particular styles or colors can fit in nicely with your current decorating scheme.

The best reason to collect glass is simply because you like it and take pleasure in owning it, seeing it in your home, or using it when you can.

The fastest way to fall for glass is to attend an antiques show or, better yet, a Depression Glass sale like the one the local club is sponsoring Sept. 15-16. A glass sale offers an amazing array of colors, patterns, and pieces, so you’ll probably find something that catches your eye, and then you can go from there.

1. Before you get serious and buy many pieces, though, research as much as possible about your new favorite collectible. Find out its history, its characteristics, and a little about the company that made it. Take the time to study the patterns you collect, so you know their features (like its colors, shapes, or sizes) to avoid accidentally buying the wrong pattern.

2. Then keep learning because the more you know, the greater the advantage you’ll have when buying from anyone who knows less. Many times sellers think they have elite pieces of glass, but if your knowledge is better than theirs, you’re not going to pay $100 for a $20 item. Likewise, you might be happy to spend only $20 on a piece worth $100 when you know more than the vendor does.

Needless to say, to learn more about glass and all that goes into finding a good buy, join the local Depression Glass Club or even the national one.

Also, ask older friends and family what they remember about the glassware that their parents or grandparents had. You can learn about things like costs and usage by simply listening to stories of the past.

To learn even more and to establish connections for your favorite patterns, talk to dealers and develop friendships with them. They’re great sources of knowledge as well as kindred spirits who share this interest.

3. Buy an identification guide or two and then keep them in your car, so you can refer to them when shopping at garage sales (or look things up online as you come across them). Again, being able to distinguish between features helps prevent mistakes.

4. When your favorite pattern and another one have design elements (like the shape of a cup’s handle) that are similar to one another, make note of distinctive features, again, so you buy pieces in the correct pattern.

5. From time to time, check what’s listed on sites like eBay and Replacements, Ltd. to find unusual pieces, compare prices, and keep learning.

6. Once you begin collecting, consider how much space you have to house the pieces you’re picking up. Some items are quite large and take up lots of room, while others are smaller or can be useful. Consider where you’ll store your purchases, how you’ll display them, or if you can actually use them.

7. Also, if you start to collect a particular pattern of Depression Glass, consider the cost of its individual pieces. Find out which ones are most expensive, whether or not they’re readily available, and whether or not you can afford them.

If you do decide to collect a whole pattern, try to buy the more expensive pieces first. When pieces are rare and hard to find, they might go up in value over time.

The more familiar pieces should be more easily available, and at lower prices, but they probably won’t rise in value at the same rate.

8. When shopping, keep in mind the three most important factors: condition, condition, condition. Considering the condition of glassware is important because vintage pieces are often damaged over the decades, but they can rarely be fixed.

* If you want mint items in your collection, or if you want to actually use the glassware you collect, buy pieces that are perfect in every way.

* If you only want to display your Depression Glass, some damage, especially if it’s out of sight, might be acceptable to you.

* If you want an especially rare item, it may pay to buy it even if it’s slightly flawed.

* If you do decide to buy a flawed or damaged piece, make sure you know enough to about the piece and its value to pay an appropriate price.

9. One way to avoid buying imperfect glass is to inspect it with “the fingernail test.” If you run your fingernail around a piece of glass, but it catches on something, the glass is nicked or cracked, so pay accordingly.

10. Another way to avoid mistakes is to check for any discoloration. For example, cloudiness in vases and cups can come from holding water for an extended amount of time. Cloudiness in salt shakers comes from holding salt for a lengthy period. Because some cloudiness can’t be removed, inspect pieces carefully and learn to distinguish between dust and actual damage.

Learning about glassware is our passion at The Depression Glass Club of Greater Rochester—as is collecting it, of course.

We meet at 7:15 p.m. on the fourth Thursday of most months at the Eisenhart Auditorium of the Rochester Museum and Science Center. Visitors are always welcome to attend a meeting, which usually includes a program about vintage glassware.

Our club has also been holding an annual show and sale, and our 2018 Vintage Glass & Collectibles Sale is scheduled for September 15 and 16 in the Eisenhart Auditorium, RMSC, 657 East Avenue:

  • Saturday, Sept. 15, from 10:00 a.m. to 5:00 p.m.
  • Sunday, Sept. 16, from 11:00 a.m. to 4:00 p.m.

* The event will feature a variety of dealers selling Depression-Era glassware as well as vintage china, silver, linens, ceramics, and other small antiques.

* The weekend will also include a display of vintage glassware that depicts images of nature as well as an educational program about animal figurines made of glass at 1:00 p.m. each day.

* There will be door prizes as well as a grand prize raffle for a set of dishes, and pie, ice cream, and beverages available.

* Those who have a piece or two of unknown vintage glass may bring them in for possible identification of the pattern, color, and manufacturer.

* Admission is $5 and covers both days. Parking is free, and the building is handicapped accessible.

For more information about the club or our upcoming sale, send an email to us at dgclub@rochester.rr.com or check out our Facebook page, @DepressionGlassClubRochester.

 

© 2018 The Collectors of Western New York Museum & Gallery.
All rights reserved.

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21 Tips for Collecting, Part 2

As promised, here are the rest of my guidelines for building collections in a cost-effective, responsible manner.

Some of these tips I’ve learned the hard way (by making quite a few mistakes, buying lesser pieces, and spending too much on others), and others I’ve admittedly ignored from time to time (like actually having room in our house for new acquisitions).

Nonetheless, the collecting lessons I’ve learned could serve us all well as we build and maintain our collections. If all of us committed collectors (myself included) keep these tips in mind, we’ll not only have fun amassing our collections, but we’ll also be able to enjoy the process and the outcome, which is what collecting is all about after all.

12. Set a limit—for individual items and for each shopping spree—and make every effort to stick to it. As you learn more and shop around, you’ll develop a sense for which pieces are ordinary and what prices are reasonable for them. Then you can not only grab up unusual pieces, especially when prices are low, but you’ll also know to walk away from typical ones that are overpriced.

13. Eventually, shop the Internet if you choose, so you can have access to the largest number of dealers and the greatest range of merchandise. For example, some items are scarce in some parts of the country, but plentiful in others depending on where they were manufactured or distributed, so online shopping brings such items to you.  Conversely, collectibles—like vintage souvenirs of Rochester-based companies—might go for higher prices here in Western New York where they are prized than they will be listed for elsewhere in the country.

14. Decide early on if you’re going to be a perfectionist or not. Realize that if you want only first editions, mint quality or best condition, or even NIB (new in box) items, you’re going to pay more and ultimately have fewer items in your collection. If you’re okay with dings and dents, scratches, tears, and other forms of patina, you’ll be able to spend less per item, but you’ll likely have to deal with the greater quantity you’ll get for your money.

15. Consequently, and contrary to popular belief, you should think about where you’re going to put new acquisitions before you acquire them. Will they fit in your vehicle and then in your house? Are you ready to display your new purchases, or will you need to spend more money on things like albums, frames, and curio cabinets? If you’re going to buy it, you should be able to display it or use it as you intended. Otherwise, you’ve just wasted your money.

I hate to say it, since I love finding additions to my collections so much, but we avid collectors really need to follow the old adage: We should have a place for everything, and then put everything in its place. Again, there’s really no point in buying things if we can’t properly display them, actually use them, or reasonably store them.

I should know: I’ve been storing most of my collections for nearly ten years, which has gotten ridiculous. That’s one reason why I want to open The Collectors’ museum where extensive collections like mine and those of other committed collectors can be displayed. Another reason is that collectors like these have put together some amazing things that are truly worthy of being put in the spotlight.

16. Be prepared and take measurements of your walls, doorways, cabinets, and other areas at home, as well as the inside of your vehicle, and then carry that information with you either in a notebook or on a device. There’s really no point in buying something that simple won’t fit. I know—I’ve made that mistake a time or two myself.  Once, I was so sure a 1960s’ chaise lounge would fit in my Subaru station wagon that I immediately bought it—and it did fit in the car—after we spent an hour in the parking lot dismantling it.

17. If you’re short on space, or if your home is already full, think about what you will actually do with your new acquisitions. Will you have to spend time rotating out your collectibles? Will you need to pack them and store them away? Will they crowd your space, or will you have to spend money on mini-storage? Will you also need to invest money in packing supplies and time in boxing up the treasures you just bought? In short, think hard before you buy additional pieces for your collection.

18. Realize, too, that collecting involves more than simply shopping. When you buy new pieces, identify and inventory each as you go. In fact, it’s prudent and practical to catalog the collectibles you already own before you bring home any more items. A simple list with categories for your own ID numbers, what the items are, when and where you bought them, how much you paid, and what they’re worth is a good start. In addition, a gallery of photos accessible on your phone helps document your collections and can prevent duplicating purchases in the future.

19. If you’re into pricey collectibles, like original artwork and genuine antiques, have a serious talk with your insurance agent to find out whether your collection is covered by your homeowner’s policy or if you need additional coverage. If you become carried away with this hobby, you might end up investing more into it than you realize, so you might need more coverage than you expect.

20. Regardless of how enamored you are right now about your collection, expect to let go of individual pieces at some point in the future. As your experience and knowledge grow, your taste and style will likely evolve, too. Over time, you may decide to divest yourself of lesser pieces in favor of better ones. Sad as it seems, it’s common practice to eventually break up collections; however, in doing so, you’re then able to let others enjoy what you no longer cherish.

21. In addition, once you have more collectibles than the typical person, start thinking about how you’ll downsize or what you’d like to happen to them when the time comes. Talk to your family and tell them which pieces are important to you, and also find out if anyone wants particular items. Use your inventory to let your family know which pieces are particularly unique or valuable, and give them suggestions for appropriately passing them along.  After all, you know your collections better than anyone else.

Gosh. I seem to have ended on a somber note about downsizing and bequeathing. However, I’ll take that as a reminder that I already have many, many beautiful pieces in my collections—including floral teapots, vintage dishes, sparkling glassware, and lovely figurines—yet no one else will want to deal with them when the time comes.

I think I’ll forego the sales and shops this weekend and stay home and work on a collection or two. I’ll be able to enjoy some of my treasures now and work on keeping them organized for the future.

I hope you, too, can enjoy your collections this weekend. After all, that’s why we have them.

Patti
The Committed Collector

So where do you stand on the issue? Should we collect only as much as we can reasonably display in our homes, or is it acceptable to collect so much that a goodly portion needs to be boxed up and put away? Please leave a comment and share your thoughts about the collector’s quandary.

© 2018 The Collectors of Western New York Museum & Gallery.
All rights reserved.

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21 Tips for Collecting Almost Anything & Everything, Part 1

As another summer of garage sales comes to an end, and another season of holiday bazaars awaits us, I thought this would be the time to offer my suggestions for how to go about collecting with more triumphs than heartaches.

To paraphrase what antiques expert Ralph Kovel once said, committed collectors like I am often regret the things we don’t buy; however, if we buy hastily or carelessly, we can come to regret those expenses, too.

After decades of hunting and gathering, and dozens of excursions just this year, I’ve certainly made my share of mistakes, but I’ve also learned a trick or two that I’m happy to pass along.

When it comes to finding, choosing, buying, and ultimately acquiring any kind of collectible, my step-by-step guide could save you time, money, and space as you build your collection—and might even result in bringing home some real treasures (rather than some real duds).

Here’s the first half or so of my 21 tried-and-true methods. I hope they work for you, too.

1. Once you realize you’re starting a collection, go slowly. Buying the first specimens you come across could be a mistake because you might buy ordinary pieces rather than special ones, or you might pass up a real deal that you didn’t recognize—or end up paying too much for something that only seems special but really isn’t.

2. So…take some time to learn more about the object of your desire. Of course, the Internet is a convenient place for a great variety of information, but so is our Monroe County Library System, which has dozens of identification guides full of information compiled by experts. Learn as much as you can about the history, construction, and variety of your field of collecting.

3. Search for local collectors’ clubs, too, so you can learn from area experts and meet people who share your interests. We’re fortunate to have several such organizations in Western New York, and many allow people to attend a time or two before formally joining. These groups usually have monthly educational programs about specific collectibles as well as social occasions during the year. Local organizations often hold annual shows and sales, too, which are great ways to meet out-of-town vendors with diverse merchandise and specific expertise.

4. Then, keep learning about your collectible even while you shop. Strike up conversations with proprietors, dealers, and other shoppers, and listen as they talk about the merchandise. People are usually generous with their knowledge and willing to point out details that affect quality, value, and price.

5. As part of your education as a new collector, or a collector in a new field, first shop in person, so you can see, touch, and even smell the collectibles that have caught your eye. Reproductions, re-issues, knock-offs, and fakes usually differ in a number of ways from the real thing. Also, condition and damage may not be clearly visible, or fully disclosed, in some online listings.

6. In addition, shop in person in a variety of marketplaces. When I go antiquing in Rochester, that means I might stop into a privately owned antiques store with fine items or an antiques co-op with a wide range of antique, vintage, and reproduction pieces. I could also make the round of garage sales, estate sales, and thrift stores in Monroe County for the best prices and one surprise after another since who knows what I’ll find in such venues. The point is that you might find something special in an unexpected place, so you should shop around and keep your eyes open.

7. Remember to dress, and pack, for the occasion. If you’re going to spend a fall day at a flea market, where the weather can be unpredictable here in Western New York, dress in layers and wear sturdy shoes. If you’re going to be out all day, leave your oversized purse home, but bring cash, a measuring tape, a way to take notes, and water and a snack or two—especially if you’d rather spend your money on treasures than burgers or hots.

8. Use any of several strategies for shopping shows and sales (and sometimes in stores for that matter, too):

  • Arrive early for the best choices. You might have to pay to enter on the “preview” day, and you’ll probably have to pay full price, but you’ll be there for the biggest and best selection, so you might find some really special things.
  • However, if you stay late, you’ll likely get the best deals. By shopping during the last day of a sale or the last hours of a show, you might find dealers offering discounts, like 50 percent off everything, especially fragile, large, and heavy items that they’d prefer not to have to pack up and haul away.
  • Make multiple rounds of a venue and walk around booths and shops from opposite directions. You can spot things you previously missed when you see them from a different angle. Also, look into boxes on the floor, up on high shelves, and behind other items where you can find prizes that others passed by.
  • In some cases, you can make an offer and often get a better price. For example, some shops are authorized to give 10 percent off big-ticket items to anyone who asks. Individual dealers will usually consider an offer or let you know how much they can let the item go for. Others are often open to discounting items when you bundle a number of purchases together.

9. When you find things worth considering, inspect potential additions carefully and repeatedly. Examine the top, the bottom, the front, the back, and the inside closely. Look at items, and all parts of them, from all angles and in different light. Then check again. Run your hands over them, too. Cracks, chips, and tears seem to lurk under your thumb or behind the price tag.

If you shop online, make sure you ask lots of questions before bidding or buying. Ask about the kinds of damage that’s specific to your field of collecting, like pottery that’s crazed or metals that are rusted. Inquire about manufacturing flaws, and ask dealers to describe anything else that’s less than perfect.

Part of your education is to learn what can be fixed and what can’t. For instance, heavy dust and kitchen grime can be washed off many things. However, material that’s stained, paper that’s torn, and glass that’s been damaged in the dishwasher and become cloudy is often marred forever (even if various sources say they can be corrected). Paper that’s musty might be freshened with a dryer sheet, but if the odor comes from mold, that’s a real problem.

10. In addition, when buying sets of any kind, make sure all the pieces are present. If the tag says the price is for a set of 86 dishes, take the time to count and locate all 86 pieces. The count might be wrong; a few of the pieces might have been broken or sold separately, or they might just be sitting a few shelves over. In any case, you want to get what you’re paying for, and if the set is less than advertised, you can ask for a better price or leave it behind.

11. Make sure that all the pieces packaged as a set actually go together, too. Mismatched cups and saucers are common; teapots and other containers often have the wrong lid, and all sorts of other items can get mixed up, especially in thrift shops and at charity sales when lots of people have their hands on the goods.

It’s okay to choose a Shabby Chic mix-and-match look, but look closely and double check, so you don’t think you’re getting a matching set when you’re actually getting a “marriage” of two different parts.

Feeling confident and inspired to go shopping? I am, but I better not.  I have more tips to write up.  Join us Friday when I’ll finish my list of collecting tips and tricks.

Patti
The Committed Collector

In the meantime, can you offer any advice for finding unusual items or negotiating better prices? If so, please leave a comment and share your tips.

© 2018 The Collectors of Western New York Museum & Gallery.
All rights reserved.

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Some Reasons Why People Collect

If you live with a non-collector, or have family or friends who don’t feel compelled to buy in quantities, you’re probably familiar with questions like these:

  • Don’t you already have one of those? Why do you need another one?
  • How many of those things do you have anyway?
  • Don’t you think you have enough?

Those who haven’t been bitten by the collecting bug, just don’t get it. Those of us who have, however, know there are several reasons—and valid ones at that—why we think more is better and some is never enough.

In short, we collect because we like the things in our collections, because they make us feel a certain way, and because they represent something else.

However, as I’m working my way through that collection of prompts known as the journalists’ questions, I’ve come up with several more explanations that answer the question “Why collect?”

Last time, I shared one or two reasons why I’ve been a serious collector for more years than I care to admit. What follows now are my additional thoughts on why some people (myself included) simply aren’t satisfied with acquiring things in moderation or appreciating them from afar.

We committed collectors have several good reasons why we’re willing to invest time, money, and space into amassing multitudes of the things we collect. Besides, six or eight reasons are always better than two or three, so here goes:

Some of us collectors are tactile by nature, so having the ability to touch and hold and inspect interesting objects appeals to us. We like things that have texture (like fabric and oil paintings) or are mechanical (like tools and typewriters). More important, we like being able to have access to such collectibles, to be able to re-inspect them, and even to use them. We enjoy being able to examine them, to organize them, and to keep them together as the collections we are building.

A similar kind of collector is inherently visual, so he or she is drawn to things because of their artistry, craftsmanship, or other hallmarks of beauty. These collectors (like yours truly) are moved by the very sight of their collectibles, so they are happy to have them around and on display. Aspects of appearance, such as color, sheen, and motif, appeal to visual types, so, again, they collect because they appreciate the look of things—like sparkling glass, floral china, or intricate wood-working.

Another kind of collector takes a more cerebral approach and becomes fascinated by the objects of his or her desire. These scientific types like to learn all they can about their collectibles, such as their origins, design, and manufacture, and, if they’re like me, they enjoy having multiple examples of all that’s available. Each variation represents another specimen and is worthy of being cataloged in the collection.

Finally, some collectors are all heart, so they value reminders of their loved ones and their experiences. They collect souvenirs and buy romantic, nostalgic, or similar items because of the emotions they evoke. They collect because, for them, the items represent a connection to someone or something, and they simply love to surround themselves with things that have personal meaning for them (such as Grandma’s costume jewelry or Granddad’s fishing hats, or wedding cake toppers, baby dolls, or team memorabilia).

Of course, some of these reasons overlap a bit with others, and some collectors, no doubt, have multiple reasons for being attracted to things, wanting to own them, and generally being smitten by their collections.

That’s the nature of the game, isn’t it? The more collectibles, the better, so the more reasons, the better, too.

I wonder which ones will tempt me this weekend?

Patti
The Committed Collector

How about you? Do you know why you’re a collector? If so, leave a comment and share your thoughts about the reasons why you collect.

 

© 2018 The Collectors of Western New York Museum & Gallery.
All rights reserved.

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Why I’m a Collector

Several years ago when I would go antiquing, I occasionally picked up bits of china or glassware because they were the kinds of things my mother would have liked. I bought small decorative plates with romantic scenes painted on them, and I added to the 1950s’ etched glassware that I remembered in my mom’s kitchen.

I didn’t particularly like those things myself, but during the year or two after my mother’s death, collecting them was a way to keep Mom close to me. Whenever I spotted certain things in thrift stores or at flea markets, I’d say, “Oh, Mom would have liked that,” and if the price was right, I’d buy them.

Then, I’d pack them away to be used some day—some day when I had a house—when I’d find some use for them.

For only a short while, I collected certain things because they reminded me of my mother and I felt they kept her in my life; however, I held onto those things and kept them boxed up for much longer.

Finally in 2004, as I settled into my first real home here in the Rochester area and unpacked one box after another, I eventually came across those things that Mom would have liked. I realized why I had bought them and admitted that I really didn’t like them, so I reluctantly gave them up.

Deciding to give up those items was easy; letting go of them as tokens of my connection to my mother was more difficult.

I sold a few at a garage sale or two, and I donated even more to charity. Each time, it was another good bye, but it was a farewell only to the things, and only with a twinge of sadness, but it wasn’t a farewell to my mother at all.

Instead, revisiting each of those pieces as I gave them up, and seeing similar ones in the years since, has become a welcome reminder of my mother and her aesthetic sensibilities.

Mom wasn’t an actual collector and didn’t have large collections, but she certainly appreciated pretty things—feminine things—and I love being reminded of that.

Also, knowingly or not, Mom instilled that same love of beauty in me, which is surely one of the factors why I’m a committed collector today.

The primary reason why I’ve been a lifelong collector is because I love things. It’s that simple. I love beauty and I love artistry. I love human ingenuity and talent and craftsmanship and the great variety of things we’re able to create.

Another reason why I not only appreciate things but also feel the need to acquire them is because I catalog things. I collect not only with an appreciative heart but also with a scientific mind (if I may be so bold as to say such a thing about myself, untrained as I am).
Like a scientist, I value examples, samples, and specimens—and how they relate to each other.

I lie awake at night and try to design a schematic that will connect all the various kinds of teapots in my collection—just as all the known species in the plant and animal kingdoms have been classified in their own branching trees of life.

When people ask me what my favorite teapot is, I can’t answer because I can’t choose. How can I say that I value a traditional floral teapot more than a modern clean-lined model? How can I decide between a highly decorated side-handle Asian teapot and a homey English Brown Betty?

Scientists aren’t supposed to favor the things they study; they’re supposed to discover, identify, and document, as well as conserve, all specimens that exist, which is what many collectors try to do.

Some of us collect because we value the wide range within our fields, and we want collections that include—and, therefore, preserve—examples of every kind or type available to us. We are fascinated by the scope of and variety within our fields, and we want to build collections that are complete and comprehensive.

Each collecting excursion for us avid collectors is, generally speaking, an expedition, and our collections then reflect the discoveries we’ve made during our careers as collectors.

Of course, some of us collect for other reasons, too; however, we’ll save them for next time.

Until then, I’ll say, “the more, the merrier.”

Patti
The Committed Collector

If you take a scientific approach to collecting, please leave a comment and let us know what you’re trying to assemble and how you’re organizing your specimens.  We’re curious about your discoveries.

 

© 2018 The Collectors of Western New York Museum & Gallery.
All rights reserved.

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What We Collect, part 1 of 3

Continuing to use the journalist’s questions to flesh out ideas for posts is both a blessing and a curse, which makes the process a lot like collecting. Considering the question “What do people collect?” makes coming up with ideas very easy. Consequentially, I’ve ended up with more material than I really need for a single post—just as I have more teapots and cups and saucers and other collectibles than just about anyone will ever use or be able to display properly.

With so many ideas at the ready—as well as so many collections of my own—it should be easy to discuss the things that people collect. Of course, I’ve discovered easy answers as well as more complex ones, too. Today, I’ll share some obvious things collected by avid collectors, especially local ones.

Because I find collecting so easy (and the resulting collections so problematic), my husband jokes that I collect only one thing—everything. Hah, hah. Very funny. In my defense, I say I collect only two things—old things and new things. So there.

On reflection, however, I realize that, at different times and for different reasons, I’ve collected three things:  I’ve gathered together the past, the present, and the future, which is likely the case for many other devoted collectors.

If you’re a committed collector like I am, you also probably recognize history in some items, usefulness in others, and hope in others still and find many kinds of things worth collecting. (That’s why I’m working to open a new kind of museum—The Collectors of Western New York—dedicated to featuring the extensive collections of the various things we serious collectors collect.)

In the meantime, my discussion of what people collect is becoming rather abstract. I’m thinking in categories and generalizations rather than in specifics (so I’ll save the discussions of those more tangible objects for future posts).

If I were simply to itemize actual, specific items that people collect, I could compile quite a list based solely on the prized possession of the members of the collectors’ clubs and special interest groups I know of in the Rochester area, which is home to a dozen or more associations dedicated to fostering an appreciation for specific collectibles.

Based on my knowledge of the things that area residents seek out and assemble into their own private collections, I can easily answer the question, “What do collectors collect?”

Among other things, we local collectors collect …

  • Bottles and glass insulators
  • Depression Glass and Early American Pattern Glass
  • Buttons, clothing, and costumes
  • Cameras
  • Coins and paper money
  • Dahlias, irises, orchids, perennials, and roses
  • Games and toys
  • Jane Austen’s and William Shakespeare’s works and related items
  • Model trains
  • Postcards and stamps
  • Pottery and teapots
  • Scouting items
  • Sherlock Holmes’ stories, books, and related items

Clearly, the residents of Greater Rochester have a wide range of interests and pursue a great variety of collectibles, which are readily available in an area known for its retail shopping, antique shows, and seasonal flea markets.

Some longtime collectors in the region have amassed large collections of small items (like thimbles and Matchbox cars), while others are forced to keep their collections of large items (like real cars and horse-drawn buggies) small in number.

The actual list of what people collect is probably limitless. Since old things are rediscovered and new technology is invented, committed collectors like me are drawn to both old-fashioned things and new-fangled gadgets.

It’s traits like age, utility, and innovation that also suggest a long list of conceptual, emotional, and generalized things that collectors collect, and some of them will be discussed in next week’s posts.

Until then, enjoy the weekend and the hunt for whatever it is you collect.

Patti
The Committed Collector

If you’re a dedicated collector, too, please leave a comment and tell us about the things you collect. We’d love to hear about what catches your eye and makes its way into your life.

 

© 2018  The Collectors of Western New York Museum & Gallery.  All rights reserved.