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Four Things to Do Other Than Shop at Shows & Sales

We’ve all heard that April showers bring May flowers, which is certainly true as the rains continue in the Flower City, but, for me, May itself brings the unofficial opening of show and sale season.

The good news—or the bad, if you’re as limited for space as I am—is that garage sale signs are popping up all around town. Flea markets are starting to open. A lot of local organizations are holding their annual sales, and flyers for all the upcoming shows are being distributed wherever you go antiquing in the Rochester area—and I’m chomping at the bit.

Without a doubt, I’ll be tempted to go out collecting every weekend between now and Halloween, whether I should or shouldn’t.

Realistically, I simply can’t get to every event since I do have other things to do. What’s worse, I definitely don’t have the space to bring home any more treasures. Really, I should stay home and work on my own collections—and follow through with my New Year’s resolution to curate what I have rather than collect more.

Nonetheless, the local shows and sales beckon.

So far, I’ve been lured to the Genesee Valley Bottle show that was held last Sunday (but I resisted the first community garage sale at the Rochester Public Market). I made it to the Breweriana show that’s going on today (but will likely forgo the first Saturday at The Shops on West Ridge, even though it’s one of my favorite stops for collectibles of all kinds.)

Although I did give in and come home with a few new purchases from these show and sales, I also picked up a few curating tips along the way.

You see, committed collectors—especially ones who’ve sworn not to buy another item for their collections ever again—can learn a lot at events like these.

So…if you need a reason to justify going to any of the shows and sales in Western New York this year, read on. I’ve learned several things just by window shopping and noticing the merchandising more than the merchandise.

When you go out antiquing, you can, indeed, do more than shop. In fact, you can also learn the following four curating tricks:

How to Display Multiples of the Same Thing

Needless to say, many dealers specialize, so their wares often include multiples of the same items or many of their variations. Their displays can give you an idea of how to show off every Pepsi Cola bottle ever made or every individual piece in a set of Spode china.

By noticing how dealers stagger, elevate, and group items, we can get great ideas for displaying our own treasures at home. Maybe we’ll spot a booth with a lot of similar items. Maybe we’ll notice another dealer who has complete sets of things. In either case, we can walk away with a plethora of ideas—even if we can’t buy another single item for our collections.

How to Coordinate Various, but Related Items

Likewise, we can discover ways to incorporate related items together. Again, some vendors specialize in certain eras (like the Great Depression) or broad fields (like fashion), so their merchandise is usually a mix of different items that still belong together for some reason. Sometimes it’s whimsical style; sometimes it’s vibrant colors.

In any case, by noticing how different but related items are arranged—and even asking about the choices the dealers make—we can glean tips on how to create our own tablescapes and other varied displays. Some dealers just have an eye for organizing an eclectic mix of things, so we collectors can learn a lot from them.

What Kinds of Shelves, Racks, and Risers to Use

Another really useful thing to notice at antiques shows and collectible sales is what the vendors are using to display their goods on. Many use small bookcases on top of their sales tables, while others stand up small, flat-bottomed wall curios to accomplish the same thing (eye-level viewing of items).

Sometimes, you’ll see that boxes, tins, and other containers have been used to elevate the wares in the back, while hooks, hangers, and even clothespins have been used to display things overhead or at least up high. Old fashioned cork bulletin boards and picture frames outfitted with chicken wire are other ways to display different kinds of small items.

How to Pack Collectibles

One of the most important things to notice is how to pack and transport collectibles, which dealers do time and again. Many use packing paper, bubble wrap, and even quilted disposable bed pads to wrap fragile items. The latter two are studier and can be reused many times before becoming ragged. Some also use dish towels and large washcloths because, they, too, are soft and reusable.

Some dealers buy banker’s boxes or packing cartons because they have handles, which make them easier to carry. Others re-purpose liquor boxes because they come with dividers that often prevent items from knocking against each other. Some love plastic totes that are all-weather, can be color-coded, and have sturdy handles and locking lids.

Hopefully, you have lots of display space at home, so you won’t need to pack your purchases for longer than the trip home.

If you don’t, you might want to leave a comment and inquire about my plans to open a museum. That’s still my goal for 2019, and maybe we’ll see your collections there, too.

Happy Collecting—and Even Happier Curating!

Patti
The Committed Collector

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Seven Things You Don’t Know about the Rochester Bottle Show

Even though many of us are busy this holiday weekend, committed collectors are already thinking about what next Saturday or Sunday will bring to the Rochester area.  I myself have been looking forward to the 50th Genesee Valley Bottle Collector’s Association’s show and sale, which is set for Sunday, April 28, at Roberts Wesleyan College.

This will be only my fourth year shopping this annual event, so I’m still something of newcomer; however, we’re fortunate to have the show’s chair, Aaron Weber, share his expertise in a guest post.    

According to Aaron, some say this antiques show is the region’s best kept secret, despite being 50 years old.  In fact, he says, this bottle, paper, and tabletop sale will truly amaze you, especially if you have never been—and I have to agree.

So, without further ado, here are Seven Things You Don’t Know about the GVBCA Bottle Show & Sale:

1. The Extensive Size of the Show and Sale

If you are reading this blog post, I’m sure you are no stranger to antiques shows and sales.  Many of you have probably been to several of the local shows held throughout the year in the greater Rochester area.  Most of these feature 20 to 30 dealers.  The GVBCA Bottle Show, however, is a little bigger.  This year we have 125 dealers, who have rented 234 eight-foot tables to display their wares.  What’s more, these dealers are from all corners of New York State, as well as 11 more states, representing almost a quarter of our nation. 

2. The Super-Friendly Atmosphere

If you don’t collect bottles, you might be hesitant to attend a show that’s new to you.  However, you’ll be heartily welcomed here.  Several years ago, a colleague mentioned that “Bottle people are the friendliest of all antiques dealers.”  This seems like a weird thing to say, doesn’t it?  Well, as a “bottle guy,” I feel there isn’t a truer statement.  As our show has grown and diversified, our dealer base has maintained this core value of ours, and they become our family, as you will too.

3. The Wide Variety of Collectibles

The Genesee Valley Bottle Collector’s Association has a motto that says, “We’re Not Just Bottles.”  These words represent our show and sale, too.  Our show, as mentioned above, has diversified over the years.  We are now comprised of about 50 percent bottle dealers, who sell $1 bottles all the way to high-end examples, as well as something for everyone’s taste and level of collecting.  Oh, wait, though.  There is much more!  The show also features paper, postcards, Depression Glass, stoneware, advertising signs, posters, early American glass, military items, toys, books, and so much more.  I could go on and on, but I have been given only so much space.

4. The Incredible Facility

Our show and sale is held at Roberts Wesleyan College in the Voller Gymnasium.  You will not find a more spacious, well-lit room in all of Rochester.  Trust me on this; it was my job to look.  And look I did, until I found this place.  “Wow” sums it up.  Add to that some incredible lunch options served up by the college food service and a great college staff, and you really could not ask for more—except maybe for free parking, which is also provided.

5. The Impressive Displays of World Class Collections

By now, you have probably wondered why we call it a show and sale, right?  That’s a good question, and I have a good answer.  Traditionally, bottle shows feature educational displays of folks’ collections, and we are proud to say we keep this tradition going strong.  This year, we have displays that range from Rochester Stoneware, to insulators found on a specific rail line, to items from Buffalo and Rochester druggists, and, of course, great bottles!  Even our displays represent collections from three states, so this may be your only chance to see them.

6. The Low Admission Fee

Unlike other shows and sales that have higher admission fees, we charge only $5.00 to enter our event, and we admit those 17 and younger for free.  We do what we can to keep our costs down, so you have more money to spend on things you want.  In addition, as part of our 50th anniversary celebration, we’re going to be holding drawings for “show money” that can be used to buy even more treasures.  And it wouldn’t be a real 50th anniversary celebration without cake, so we’ll be serving that, too, to everyone there.

7. Your Enthusiasm for Attending Next Year’s Show

Once you check out everything the GVBCA’s Bottle Show and Sale has to offer, you will be hooked.  I was—24 years ago—and I haven’t missed one since.  Ours is a one-day event, so you might want to make plans now.  The early birds will be there when the doors open at 9:00 a.m., and the die-hards will still be shopping when we close the show at 3:00 p.m.  After that, we’ll all be looking forward to next year’s show.

Until then, you can learn more about the Genesee Valley Bottle Collector’s Association’s show and sale by visiting our website at www.gvbca.org.  While you are there, check out our monthly meeting schedule, and, if you are a collector, consider joining. 

We GVBCA members collect many different things, both as individuals and as a club, and we love to share our passions and hear about each other’s collections and the adventures we embark upon to add to our collections.

Now that you’ve discovered some things you probably didn’t know about the bottle show, Aaron and I hope to see you there.

For now, though, enjoy the weekend—and save up for next Sunday’s show and sale.

Patti
The Committed Collector

So…are you a fan of the local bottle show like Aaron and I are?  Have you been before and were dazzled by the vast array of wares?  If so, please leave a comment and let us know what treasures you found there.  We’d love to hear about them.

© 2019 The Collectors of Western New York Museum.
All rights reserved.

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12 Tips for Collecting Antique Postcards

If you haven’t heard, the Western New York Postcard Club has been holding its show and sale for 40-some years, and this time, it’s moving closer to Rochester, so it should be more convenient for many of us hunters and gatherers.

With the sale running from 9:30 a.m. to 3:00 p.m. tomorrow, Sunday, Oct. 21, I thought it would be a good idea to review my strategy for making the most of my time and money. I thought my plans might be worth sharing with you, too.

To enjoy the event, score some deals, and come home with a few (dozen) more treasures for a (growing) collection, follow these tips:

1. If you already collect postcards, and have the time, look through your collection or your inventory to remind yourself of which ones you already have. (Okay. If your collection is already huge, you might not have time to do that.)

2. If you know you’re looking for something particular, like cards by a certain artist or the last in a series, spend some time searching the Internet first (if you don’t already do that regularly). If what you want is available online, you can do some comparison shopping.

3. If you have a small collection or a small series to complete, consider filing these cards in a pocket photo album and bringing it along with you. That way, you can make sure that your new purchases are indeed new to you or fit your collection. There’s rarely reason to duplicate cards or buy the wrong ones.

4. If you have identification guides, try to find the time to flip through them or bring them along, so you can remind yourself of different series, styles, and features that make some postcards worth more than others.

5. Plan to spend a few hours (or more) at the postcard sale. You probably won’t look through all of the hundreds of thousands of cards for sale, but if you stop at each dealer and look through each category you’re interested in, you could be there for a long while.

6. Remember to ask each dealer about the topics that you’re interested in. In addition, ask if the subjects you want might be filed under related categories. Each dealer knows his or her filing system better than anyone else, so they can direct you to the boxes that are most likely to have something you’ll like.

7. In addition, ask each dealer if he or she specializes in any particular subjects or has a particularly large number of a certain category. Sometimes dealers are drawn to specific topics, have access to certain postcards in their area, or recently acquired a particular collection. Knowing this will often allow you to choose from some special cards or ones that are scarce in your area.

8. If you think you’re finished at a booth, take the time to browse through the category cards and consider what similar subjects there are (or discover some new ones). Chances are a category or two will surprise you.

9. If you find a lot of postcards you like from one dealer, but know you really shouldn’t buy them all, find an area in the booth to spread out your choices and compare them to each other. Seeing them side by side often makes it easy to determine which ones you simply can’t live without.

10. If enough postcards have caught your eye in one booth, and you have a nice stack, ask the dealer if he or she can give you a bulk discount of sorts. When it comes to antiquing, we all believe in the more the merrier.

11. If a booth has some cards that are your second choices, write down which dealer, which category, and which cards have tempted you. Then, after making the rounds, and if you still have time and money left, swing back to the ones you left behind earlier. With your notes, you’ll be able to find them quickly and easily.

12. Most important, talk to the dealers. Ask about their interests and their suggestions. Listen to what they have to say about the artistry, style, or history of the postcards you’re interested in. The dealers are experts and can be a wealth of information to us.

Well, I think I’ve managed to talk myself into going to the postcard show (as if I needed to do that).

Of course, I’m planning to go, even though I’m still a beginner in this field and my postcard collection is still minuscule by most standards—all the more reason to go to the show, right?

I have to admit that I’d love to find more postcards with classic renditions of roses and some with handsome portraits of dogs as well as a few more pastel Easter cards and then a few more Christmas cards in red and green and maybe even some…

Hopefully, I’ll raise my head from the boxes of postcards long enough to see you there.

The show and sale is being held tomorrow, Sunday, Oct. 21, at Perinton’s James E. Smith Community Center, 1350 Turk Hill Road, Fairport.

Admission is $3 a person, but free for members, so you should probably think about joining the club. For more information, visit the club’s website at www.WNYPostcardClub.com.

Patti
The Committed Collector

So will we see you there? Is ephemera a category of collecting that interests you? Do you appreciate graphic arts or the nostalgic sentiments of snail mail? If so, please leave a comment. We’d love to hear from you.

 

© 2018 The Collectors of Western New York Museum.
All rights reserved.

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Collecting Postcards

I don’t know how it took me so long to discover antique postcards as a collectible.

Both my father and grandfather were printers, so I was raised to appreciate printed materials. The artistry on postage stamps, paper money, and even sale ads were the kinds of things that Dad pointed out to me.

I loved the clip art in the grocery ads that Mom checked out each week. I knew the caricatures of bunnies and reindeer weren’t photos or paintings, but I couldn’t figure out what they were, artistically speaking. Nonetheless, I cut them out and glued them into a scrapbook just as my Victorian ancestors might have pasted trade cards into albums.

However, it wasn’t until I was nearly 30 that I discovered antique postcards. By then, I was fully committed to collecting china and glassware, but I still hadn’t noticed postcards at garage sales or flea markets. Ironically, I always bought postcards on my travels, but it didn’t occur to me that vintage ones existed, too.

Thankfully, a friend introduced me to the beauty and variety of antique postcards. We had planned an entire weekend of antiquing, and first on her agenda was the postcard show.

I had never been to a postcard sale before, so I didn’t know what to expect. My friend, however, brought enough cash and patience to keep us there for several hours.

She diligently stopped at each booth and asked about cats, horses, trains, and Halloween—the four categories that she and her husband collected. Then she pulled out a chair and sat down to look methodically through every one of these groups of cards. Then she changed chairs, so she could look through every card in every miscellaneous box.

At that point in my collecting “career,” I was used to walking from table to table and checking out a variety of wares. Sadly for us visual types, there often isn’t a lot to see at a postcard sale because the dealers organize their thousands of postcards in small cartons that look a lot like shoe boxes.

That means the sales tables all look pretty much alike—unless you take a seat and get comfortable. Then, there are wondrous sights to behold.

I only learned this after milling around for a couple of hours. Finally, and, I have to admit, out of boredom, I followed my friend’s lead and asked a dealer if any of the postcard might depict flowers, something I’ve always loved.

“Of course, there are cards with flowers,” he boomed. “What kind are you interested in,” he asked. “Bouquets? Gardens? Roses? Lilies? Or advertising cards—how about trade cards with pretty girls and bunches of posies?”

Initially overwhelmed by all the kinds of flowers I could consider on antique postcards, I blurted on the one that registered with me—roses. Mom loved roses; I loved roses, too, and I still do, so that was a fortuitous choice.

The dealer ushered me over to the box that had the “Flowers-Roses” tag and kindly pulled out a chair for me. Soon, I was lost in a rose bed of artistry.

Some antique cards had classically done renditions of lush, romantic roses. Vintage postcards had more stylized depictions of pink, red, and yellow blooms. Newer ones were made from color photos and showed the grandeur of places like the Hershey Rose Garden.

I was so engrossed that another hour or more went by as I decided if I preferred postcards with single blooms or full bouquets (both), pink roses or red ones (pinks), and just how many I should/could buy (more than I needed).

Eventually, it was my friend who was ready to leave and come looking for me.

She was buying for two (for herself and her husband), so she left with hundreds of postcards—and I mean hundreds. I might have left with only a dozen or so, but I had begun another collection—one that reflects all my father taught me about the artistry of printed materials.

Ever since, I’ve always managed to be selective and leave postcard shows with relatively few cards—even though I really don’t know why since I fully believe the more the merrier when it comes to collecting.

Perhaps next weekend when the local postcard show moves closer to town, I’ll finally become certifiable and leave with bags and bags of beautiful postcards.

I’ll be sure to try my best.

Patti
The Committed Collector

How about you? Do you like to pick up postcards as souvenirs of your travels? Are you among the few who actually send postcards to family and friends? If so, we’d love to hear from you—so please leave a comment.

 

© 2018 The Collectors of Western New York Museum.
All rights reserved.

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Guest Post: Enjoying Depression Glass

Last weekend was all about the Depression Glass show and sale for me and many other glass lovers in our area—or should I call them committed glass collectors?

Collecting in Rochester is always fun, but it’s particularly exciting when there’s a big event that brings together a variety of dealers and their wares. The annual glass show did just that by bringing in several out-of-town Depression Glass dealers, a number of local ones, and a number of purveyors of general antiques, which is always fine with me.

I might have mentioned in my last post that I bought a piece of china, four teapots, and a tablecloth at the show and sale. How I managed to resist all that glorious glass still remains a mystery to me. (All right. Very, very limited space might have had something to do with it—so the fear of starting yet another collection was a factor, too.)

As I said, though, I did bring home some new purchases, as did quite a few other collectors I know. Unless we’ve been diligent since then, that means this weekend is all about updating our collections.

I myself still need to unpack my new treasures, give them a gentle washing, add them to my inventory, and then decide how to use them.

Packing them away always breaks my heart. Saving them for special occasions is a disappointment, too. Squeezing more teapots into my china cabinet will be a challenge. (Did I mention lately that I’m planning to open a museum next year for those of us who have far too many items in our collections and far too little space at home?)

Since storing, saving, and cramming in are poor options, I might as well use my new treasures—and I hope you use your special things, too.

To encourage us all to enjoy our vintage glassware more often, the members of The Depression Glass Club of Greater Rochester have provided some helpful suggestions:

Enjoying Depression Glass

1. Keep your glassware easily accessible in a china closet or kitchen cabinet. However, when dishes are stacked on top of each other, be careful not to drag or scrape the top one over the one it sits on because that could cause scratches.

2. Most vintage glassware is still fit to be used or at least displayed. Enjoy displaying your vintage glass bowls or trays, for example, on tables and dressers, but avoid tossing keys and coins into them because doing so will scratch the glass over time.

3. Vintage glass pitchers come in a variety of styles, so it’s easy to find fun ones for everyday use as well as elegant ones for special occasions. At all times, though, carry and pour glass pitchers by holding both the handle and the neck or bottom, too, to avoid putting all the stress in one place.

4. Using your glassware is an easy way to control portion size because older styles are often smaller than contemporary ones. Be careful, though, serving things like coffee or soup in your Depression-Era cups or bowls because overfilling and then spilling are possible.

5. Set a pretty table by serving dinner on your favorite glassware; however, avoid putting vintage glass plates on hot stovetops and into hot ovens—and don’t put them in the microwave at all. Only bakeware and similar pieces were designed to withstand high temperatures in conventional ovens.

6. Use your glass dishware as often as you can, but consider what kinds of food you serve on vintage glass. Avoid entrees like steak or chops that need to be cut with a sharp knife because it’s easy to cut the plates as well as the food.

7. Glassware is great for storing leftovers, but be careful with which kinds of vintage glass you put in the refrigerator. Only sturdy kitchenware, like covered refrigerator dishes, was made to withstand the cold.

8. Enjoy using your Depression Glass, and then give it the TLC is deserves with a handwashing in warm soapy water. However, avoid putting cold or even cool glass in warm water. Likewise, avoid putting cold things into glassware that might be still warm from a recent washing. It’s usually better to let vintage glassware come to room temperature before subjecting it to temperature changes.

9. Although, most Depression Glass is strong enough to still be used, decorative pieces and figurines might be better off simply on display. Some dishes have fancy or openwork rims, and other pieces have fragile edges that can be chipped or broken off easily. So…use your glassware in a display and then be particularly careful when arranging or dusting it. Then sit back and admire how beautiful your glass looks.

If you love vintage glassware as much as I do, why not visit the Depression Glass Club when it meets next month? Visitors are always welcome whether or not they collect glass, and the club even allows in china collectors like me.

I hope to see you at the October meeting. In the meantime, remember to check out the Depression Glass Club’s Facebook page for more details about their upcoming calendar.

Patti
The Committed Collector

If you love using your vintage items, please leave a comment and tell us how you use them. We’re curious to know how others put their treasures to work around them.

 

© 2018 The Collectors of Western New York Museum & Gallery.
All rights reserved.

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It’s Collecting, Not Shopping

It seems I’ve done quite a bit of shopping lately, especially for the past several months.

However, I’ve barely been to the grocery store once a week recently. I’ve simply been too busy. I haven’t made the time to go to a department store to replace the new sandals the dog chewed up. And I’ve been avoiding home improvement stores where I should be picking up a gallon or two of paint to be ready for some projects.

Still, I’ve brought home quite a few bags lately—and a few boxes, too. You see, I’ve been enjoying a bit of a collecting binge since the beginning of summer.

In May, there was the stamp show, so naturally I bought a whole stack of vintage postcards. At the end of the month, my husband went to a conference, so I went along. With no antiques shops anywhere nearby, I made do each day by checking out both thrift shops there.

That was a real extravagance for me, and seeing how their merchandise changed each day was a real lesson as well. Entire collections appeared on the shelves overnight; some of the oddest things disappeared quickly, and some of the better items lingered behind.

I wondered how those collectors felt about their longtime efforts becoming ready-made collections up for the taking. Hopefully, the collectors themselves made the decision to donate their things, rather than family just getting rid of them.

In June, a community organization held its yearly benefit sale, so I checked out its offerings and added to a few of our collections. One of our esteemed local museums also held its annual sale, and I had to make two trips to the car before I was finished. (Is it any wonder that I want to establish a museum dedicated to displaying large collections of this and that?)

Then, two suburban churches held their annual garage sales, and it’s a tradition that I go to them. It’s a tradition that I go to a local Fourth of July benefit sale, too, so I went there—and through the checkout three times. (If you’re wondering if I’m exaggerating, I’m not. It’s been a great summer.)

I felt a little guilty and short of funds after those hauls (and I was headed out of town anyway), so I skipped the July church sale that I absolutely love. On the trip, however, I made up for that earlier sacrifice and made out like a bandit at the local discount department store, thrift shop, and library book sale. If I bought anything practical, I’ve forgotten. I do remember, however, that I did need to borrow a suitcase to get all my treasures home.

Back in Rochester, another church held its annual garage sale in August, and it’s a tradition that I go to it, of course. The fact that I discovered an additional church sale just added to the fun—and a sale on next year’s calendar.

In between, a friend held an impressive moving sale, and I felt obligated to go, of course. I wouldn’t want to risk offending him (and I might just find something I couldn’t live without—I found a half dozen things, actually).

Feeling even greater guilt at that time and having considerably less cash, I again sacrificed going to another favorite church sale at the end of August. (If I wasn’t feeling guilty enough then, I certainly am now as I write this.)

I did give in to temptation and complied with my husband’s suggestion of a day trip, lunch on the town, and an hour or two at a favorite used bookstore, where I did, indeed, buy books—for my teatime collection, my literary library, and my kitchen. (I dust my cookbooks more often than I try their recipes.)

Labor Day weekend arrived and brought us some company, who just happened to want to check out as many thrift shops and antiques malls as we could get to, and I managed to find more teatime items, china, and glassware. Making the rounds of four shops and two malls in three days is hard work, but it’s also a labor of love.

Temporarily feeling the agonies of remorse and poverty again, I skipped a Labor Day sale that I love and redoubled my efforts to open my museum.

Soon after, however, the antiquarian book fair was held, and I bought some more vintage postcards, of course (and some books as gifts). This past weekend was the glass show, so I bought a vintage tablecloth, a piece of fine china, and four ceramic teapots, but no Depression Glass because I still don’t officially collect Depression Glass.

This coming weekend is another esteemed museum sale; then there will be the glass pumpkin sale, and at the end of October is the local postcard club show. I know I shouldn’t even be considering any of them, but that’s what we committed collectors do, isn’t it?

I also assume the department stores are already stocked with their autumnal wares, and I’m really trying to resist being tempted by additional Halloween decorations and more turkey platters. I mean, how many does one really need, right?

However, we certifiable collectors never have enough because there’s always something new—or something old—to be found. There’s always another size or style or variation to discover. There’s always something else equally beautiful, creative, or ingenious to admire.

Although it may look like we’re shopping, and we’re certainly buying things, we’re actually just doing what we love most: collecting, building our collections, completing earlier ones, and starting new ones. It’s what we collectors do best.

Enjoy the hunt!

Patti
The Committed Collector

How about you?  Are you crazy about collecting too?  If so, leave a comment and let us know where you like to go shopping, or, rather, collecting.

 

© 2018 The Collectors of Western New York Museum & Gallery.
All rights reserved.

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Glorious Glass

I’ve forgotten if it was the year we moved to the Rochester area or the following one when I discovered the local Depression Glass Show & Sale.  I’ve also forgotten what the display theme was that year and what I bought.

What I remember, though, is how entering  the auditorium was like walking into a wonderland and how the Eisenhart shone with all the sparkling glassware.  What I also know is that this weekend’s glass show will be just as magical–because I’ve gotten a sneak peek.

As a member of the Depression Glass Club of Greater Rochester, I was at the RMSC this afternoon setting up my display and checking out the sales booths.  Now, I can’t wait to get back tomorrow morning to start adding to my collections (even though I don’t officially collect Depression Glass, you see).

In addition to the thousands of tempting pieces of beautiful glassware are just as many other treasures, for the sale has been expanded to include vintage china and pottery, linens and silverware, buttons, jewelry, books, and other small antiques.

With all that to choose from, I might just be able to find a few new pieces for myself and a few gifts for family and friends.  Who needs to wait to dream of sugar plums when the glass show is in town!

I hope to meet you there!

Patti
The Committed Collector

 

© 2018 The Collectors of Western New York Museum & Gallery.
All rights reserved.

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Guest Post: Tips for Cleaning & Storing Depression Glass

If you’re a serious collector like I am, you know that collecting is fun. We enjoy going out, hunting, and gathering. We like scoring bargains, and we love finding special pieces. However, we’ve also probably learned that there’s some work to be done once we bring our treasures home.

That’s especially true of a collectible like glassware that benefits from some tender loving care. Fortunately for us, we have a great resource nearby: The Depression Glass Club of Greater Rochester, which is dedicated to the colorful glass of the 1930s and ’40s as well as educating its members and others about it.

As a member of the DGC, I’ve learned a lot about the lovely pink and green glassware that I received from my mother, who had received it from her mother years before. I’ve also learned that some of the members of the club are pretty much experts when it comes to their favorite patterns. That’s because they’ve not only been collecting their Depression Glass for years and years, but they’ve been using it and caring for it as well.

With that much knowledge among its members, the club was able to provide so many tips for collecting Depression Glass that we have another guest post from them today. If you read last time’s post, you know that the club provided some great advice for collecting this iconic American glassware.

Today, the members of the local Depression Glass Club give us some additional suggestions for taking care of our vintage glassware.

From The Depression Glass Club of Greater Rochester…

Recommendations for Cleaning Depression Glass

1. Whether you’re just bringing home a new piece, or taking an old favorite off the kitchen shelf, vintage glassware should be washed by hand in warm water using a mild detergent and soft sponge.

2. Never use any kind of abrasive cleanser on glassware. Never scrub glassware with a steel wool pad, coarse sponge, or stiff brush—and certainly never ever scrub glass with silver overlay or any other kind of decoration on it.

3. To protect glassware while washing it, pad the basin of the sink as well as the edges of the counter with thick dishtowels. Also, be careful not to hit the faucet with the glass.

4. Take care to avoid subjecting your glass to extreme temperature changes. In particular, allow cold glass to come to room temperature before unpacking and washing it, especially in the winter when it comes inside after being in an unheated car.

5. If glassware is grimy or especially dusty, let it soak for several minutes in warm soapy water. Then use a soft sponge to wash it. Soak another time or two if needed. If crevices still remain dirty, gently use a soft toothbrush to work at the grime.

6. After washing, use a soft kitchen towel to dry and polish glassware before it completely air dries, so you can wipe away drops of water and streaks.

7. If your glassware is on display, periodically dust each piece individually with a soft cloth. Avoid using a feather or lamb’s wool duster because both their length and the swishing action make it easy to knock over pieces.

Recommendations for Storing Depression Glass

1. Whether you can display your glassware in a china closet or have to store it in a kitchen cabinet, stand most glassware upright rather than upside down since the rim is usually thinner and weaker than the foot.

2. Avoid stacking cups in each other since that puts stress on the handles and because tall stacks are often unstable and could topple over. Avoid hanging cups on cup hooks, too, because that also stresses the handles.

3. Avoid putting glasses and tumblers into each other because they, too, could become stuck together.

4. Avoid stacking all of your dishes in one tall stack because that puts so much weight on the lower dishes. It also concentrates all the weight on one side, which stresses shelves and could cause them to collapse. Instead, distribute weight evenly on shelves, and store plates and bowls in shorter stacks.

5. To soften the contact between stacked pieces, use white paper coffee filters or paper plates, napkins, or towels between them. Regular, uncoated paper plates as well as paper napkins come in a couple of sizes, and some brands of paper towels can easily be torn to size.

In addition, different paper products come in different thicknesses, so they offer varying amounts of protection. For example, thin coffee filters might offer just enough padding between smaller, lighter dishes, while paper plates are thicker, so they’re better between larger, heavier pieces.

6. In addition, even when stored, place paper napkins or paper towels between the lids and openings of canisters, candy jars, and any other pieces that have covers. Doing so will provide some cushioning and lessen any vibrations between the lid and container.

7. If you need to pack up some of your glassware, layers of bubble wrap with small bubbles is recommended for protecting glass, especially for smaller pieces. Multiple sheets of clean newsprint or packing paper also work well, but newspaper itself is warned against since the ink often rubs off onto the glass.

8. If you need to box up glassware to be moved or shipped, double or even triple all your efforts (with extra bubble wrap, packing materials, and double boxing), or seek out professional advice at local packing and shipping facilities. Remember to label boxes “Fragile” and identify what’s inside.

With the local Depression Glass show and sale coming up next weekend, I hope that what I buy there will fit in my house and not have to be packed up or moved to mini-storage—and even though I don’t officially collect Depression Glass, I do indeed expect to find a treasure or two at the sale.

As always, I’m looking forward to the possibility of finding more of my grandmother’s green glass. I’m also open to being tempted by many of the other glorious glass pieces that I’m sure to see there.

And, if all fails, I trust I’ll be able to find an irresistible piece of antique china (or two or three or maybe even a whole set) since the glass show has been expanded to include other vintage collectibles.

I’ll just have to be patient until then. For now, the details of the show and sale are below.

While we wait, take care, and take care of your collections.

Patti
The Committed Collector

2018 Vintage Glass & Collectibles Sale

• Quality dealers selling antique and vintage glassware, china, pottery, linens, silver, and more
• Glass identification, educational program, door prizes, snacks
• Free parking and handicapped accessibility
• $5.00 admission covers both days

• Saturday, Sept. 15, 10:00 am to 5:00 pm
• Sunday, Sept. 16, 11:00 am to 4:00 pm

• Eisenhart Auditorium, Rochester Museum & Science Center, 657 East Avenue

• For more information, visit the club’s Facebook page at @DepressionGlassClubRochester or send an email to dgclub@rochester.rr.com.

© 2018 The Collectors of Western New York Museum & Gallery.
All rights reserved.

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Guest Post: Ten Tips for Collecting Depression Glass

Do you appreciate beautiful vintage glass? Do you love all the pretty pastel shades or vibrant colors it comes in? Would you like some tips for finding the best glass at the right price? Then read on…

Today, we have our first guest post with some helpful suggestions from one of my favorite organizations, The Depression Glass Club of Greater Rochester, whose members are dedicated to collecting and learning more about that beautiful colorful glass from the past.

Although I’ve been a member for only 13 or 14 years, the local Depression Glass Club was formed 40-some years ago. With a roster of 80 or so members, the DG Club includes collectors with decades of experience among them, so they also have a wealth of information to share about buying, using, and storing this iconic American collectible.

Whether you’re a committed collector of Depression Glass (as I intend to be someday), or newly acquainted with its beauty and charm, I think you’ll find some useful recommendations here—I know I did—including some classic advice and several clever tips from local expert collectors:

Advice for Collecting Depression Glass
from The Depression Glass Club of Greater Rochester

Depression Glass includes the colorful, sparkling glassware made in America during the difficult years of the Depression Era, which is usually considered the period after the Stock Market crash of ’29 until the beginning of World War II.

Such glassware was manufactured in pretty colors or decorated with cheerful designs to help lessen the heartache of the times. Some of the more famous companies that produced such glass patterns are Anchor Hocking, Fenton, and Cambridge.

Depression Glass includes hundreds of kinds of items, such as everyday dishes (that were given away as premiums), elegant glassware (that was sold in jewelry stores), barware (that was often decorated with comical figures), and a host of other items (like ashtrays, knives, and even mousetraps) made of glass.

We’re happy to report that sources of Depression Glass are still plentiful here in Western New York, so collecting this colorful glass is easy in the Rochester area.

If you’re tempted by Depression Glass and need an excuse to start collecting it, or if you’ve been bitten by the glass bug and need a justification for your growing collection, there are several good reasons to collect this kind of glassware.

* Familiar patterns can bring back happy memories of times past with parents or grandparents and holiday dinners when the Thanksgiving turkey tasted so good.

* Better pieces, especially those bought at good prices, might go up in value, so they could be an investment.

* Particular styles or colors can fit in nicely with your current decorating scheme.

The best reason to collect glass is simply because you like it and take pleasure in owning it, seeing it in your home, or using it when you can.

The fastest way to fall for glass is to attend an antiques show or, better yet, a Depression Glass sale like the one the local club is sponsoring Sept. 15-16. A glass sale offers an amazing array of colors, patterns, and pieces, so you’ll probably find something that catches your eye, and then you can go from there.

1. Before you get serious and buy many pieces, though, research as much as possible about your new favorite collectible. Find out its history, its characteristics, and a little about the company that made it. Take the time to study the patterns you collect, so you know their features (like its colors, shapes, or sizes) to avoid accidentally buying the wrong pattern.

2. Then keep learning because the more you know, the greater the advantage you’ll have when buying from anyone who knows less. Many times sellers think they have elite pieces of glass, but if your knowledge is better than theirs, you’re not going to pay $100 for a $20 item. Likewise, you might be happy to spend only $20 on a piece worth $100 when you know more than the vendor does.

Needless to say, to learn more about glass and all that goes into finding a good buy, join the local Depression Glass Club or even the national one.

Also, ask older friends and family what they remember about the glassware that their parents or grandparents had. You can learn about things like costs and usage by simply listening to stories of the past.

To learn even more and to establish connections for your favorite patterns, talk to dealers and develop friendships with them. They’re great sources of knowledge as well as kindred spirits who share this interest.

3. Buy an identification guide or two and then keep them in your car, so you can refer to them when shopping at garage sales (or look things up online as you come across them). Again, being able to distinguish between features helps prevent mistakes.

4. When your favorite pattern and another one have design elements (like the shape of a cup’s handle) that are similar to one another, make note of distinctive features, again, so you buy pieces in the correct pattern.

5. From time to time, check what’s listed on sites like eBay and Replacements, Ltd. to find unusual pieces, compare prices, and keep learning.

6. Once you begin collecting, consider how much space you have to house the pieces you’re picking up. Some items are quite large and take up lots of room, while others are smaller or can be useful. Consider where you’ll store your purchases, how you’ll display them, or if you can actually use them.

7. Also, if you start to collect a particular pattern of Depression Glass, consider the cost of its individual pieces. Find out which ones are most expensive, whether or not they’re readily available, and whether or not you can afford them.

If you do decide to collect a whole pattern, try to buy the more expensive pieces first. When pieces are rare and hard to find, they might go up in value over time.

The more familiar pieces should be more easily available, and at lower prices, but they probably won’t rise in value at the same rate.

8. When shopping, keep in mind the three most important factors: condition, condition, condition. Considering the condition of glassware is important because vintage pieces are often damaged over the decades, but they can rarely be fixed.

* If you want mint items in your collection, or if you want to actually use the glassware you collect, buy pieces that are perfect in every way.

* If you only want to display your Depression Glass, some damage, especially if it’s out of sight, might be acceptable to you.

* If you want an especially rare item, it may pay to buy it even if it’s slightly flawed.

* If you do decide to buy a flawed or damaged piece, make sure you know enough to about the piece and its value to pay an appropriate price.

9. One way to avoid buying imperfect glass is to inspect it with “the fingernail test.” If you run your fingernail around a piece of glass, but it catches on something, the glass is nicked or cracked, so pay accordingly.

10. Another way to avoid mistakes is to check for any discoloration. For example, cloudiness in vases and cups can come from holding water for an extended amount of time. Cloudiness in salt shakers comes from holding salt for a lengthy period. Because some cloudiness can’t be removed, inspect pieces carefully and learn to distinguish between dust and actual damage.

Learning about glassware is our passion at The Depression Glass Club of Greater Rochester—as is collecting it, of course.

We meet at 7:15 p.m. on the fourth Thursday of most months at the Eisenhart Auditorium of the Rochester Museum and Science Center. Visitors are always welcome to attend a meeting, which usually includes a program about vintage glassware.

Our club has also been holding an annual show and sale, and our 2018 Vintage Glass & Collectibles Sale is scheduled for September 15 and 16 in the Eisenhart Auditorium, RMSC, 657 East Avenue:

  • Saturday, Sept. 15, from 10:00 a.m. to 5:00 p.m.
  • Sunday, Sept. 16, from 11:00 a.m. to 4:00 p.m.

* The event will feature a variety of dealers selling Depression-Era glassware as well as vintage china, silver, linens, ceramics, and other small antiques.

* The weekend will also include a display of vintage glassware that depicts images of nature as well as an educational program about animal figurines made of glass at 1:00 p.m. each day.

* There will be door prizes as well as a grand prize raffle for a set of dishes, and pie, ice cream, and beverages available.

* Those who have a piece or two of unknown vintage glass may bring them in for possible identification of the pattern, color, and manufacturer.

* Admission is $5 and covers both days. Parking is free, and the building is handicapped accessible.

For more information about the club or our upcoming sale, send an email to us at dgclub@rochester.rr.com or check out our Facebook page, @DepressionGlassClubRochester.

 

© 2018 The Collectors of Western New York Museum & Gallery.
All rights reserved.

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21 Tips for Collecting Almost Anything & Everything, Part 1

As another summer of garage sales comes to an end, and another season of holiday bazaars awaits us, I thought this would be the time to offer my suggestions for how to go about collecting with more triumphs than heartaches.

To paraphrase what antiques expert Ralph Kovel once said, committed collectors like I am often regret the things we don’t buy; however, if we buy hastily or carelessly, we can come to regret those expenses, too.

After decades of hunting and gathering, and dozens of excursions just this year, I’ve certainly made my share of mistakes, but I’ve also learned a trick or two that I’m happy to pass along.

When it comes to finding, choosing, buying, and ultimately acquiring any kind of collectible, my step-by-step guide could save you time, money, and space as you build your collection—and might even result in bringing home some real treasures (rather than some real duds).

Here’s the first half or so of my 21 tried-and-true methods. I hope they work for you, too.

1. Once you realize you’re starting a collection, go slowly. Buying the first specimens you come across could be a mistake because you might buy ordinary pieces rather than special ones, or you might pass up a real deal that you didn’t recognize—or end up paying too much for something that only seems special but really isn’t.

2. So…take some time to learn more about the object of your desire. Of course, the Internet is a convenient place for a great variety of information, but so is our Monroe County Library System, which has dozens of identification guides full of information compiled by experts. Learn as much as you can about the history, construction, and variety of your field of collecting.

3. Search for local collectors’ clubs, too, so you can learn from area experts and meet people who share your interests. We’re fortunate to have several such organizations in Western New York, and many allow people to attend a time or two before formally joining. These groups usually have monthly educational programs about specific collectibles as well as social occasions during the year. Local organizations often hold annual shows and sales, too, which are great ways to meet out-of-town vendors with diverse merchandise and specific expertise.

4. Then, keep learning about your collectible even while you shop. Strike up conversations with proprietors, dealers, and other shoppers, and listen as they talk about the merchandise. People are usually generous with their knowledge and willing to point out details that affect quality, value, and price.

5. As part of your education as a new collector, or a collector in a new field, first shop in person, so you can see, touch, and even smell the collectibles that have caught your eye. Reproductions, re-issues, knock-offs, and fakes usually differ in a number of ways from the real thing. Also, condition and damage may not be clearly visible, or fully disclosed, in some online listings.

6. In addition, shop in person in a variety of marketplaces. When I go antiquing in Rochester, that means I might stop into a privately owned antiques store with fine items or an antiques co-op with a wide range of antique, vintage, and reproduction pieces. I could also make the round of garage sales, estate sales, and thrift stores in Monroe County for the best prices and one surprise after another since who knows what I’ll find in such venues. The point is that you might find something special in an unexpected place, so you should shop around and keep your eyes open.

7. Remember to dress, and pack, for the occasion. If you’re going to spend a fall day at a flea market, where the weather can be unpredictable here in Western New York, dress in layers and wear sturdy shoes. If you’re going to be out all day, leave your oversized purse home, but bring cash, a measuring tape, a way to take notes, and water and a snack or two—especially if you’d rather spend your money on treasures than burgers or hots.

8. Use any of several strategies for shopping shows and sales (and sometimes in stores for that matter, too):

  • Arrive early for the best choices. You might have to pay to enter on the “preview” day, and you’ll probably have to pay full price, but you’ll be there for the biggest and best selection, so you might find some really special things.
  • However, if you stay late, you’ll likely get the best deals. By shopping during the last day of a sale or the last hours of a show, you might find dealers offering discounts, like 50 percent off everything, especially fragile, large, and heavy items that they’d prefer not to have to pack up and haul away.
  • Make multiple rounds of a venue and walk around booths and shops from opposite directions. You can spot things you previously missed when you see them from a different angle. Also, look into boxes on the floor, up on high shelves, and behind other items where you can find prizes that others passed by.
  • In some cases, you can make an offer and often get a better price. For example, some shops are authorized to give 10 percent off big-ticket items to anyone who asks. Individual dealers will usually consider an offer or let you know how much they can let the item go for. Others are often open to discounting items when you bundle a number of purchases together.

9. When you find things worth considering, inspect potential additions carefully and repeatedly. Examine the top, the bottom, the front, the back, and the inside closely. Look at items, and all parts of them, from all angles and in different light. Then check again. Run your hands over them, too. Cracks, chips, and tears seem to lurk under your thumb or behind the price tag.

If you shop online, make sure you ask lots of questions before bidding or buying. Ask about the kinds of damage that’s specific to your field of collecting, like pottery that’s crazed or metals that are rusted. Inquire about manufacturing flaws, and ask dealers to describe anything else that’s less than perfect.

Part of your education is to learn what can be fixed and what can’t. For instance, heavy dust and kitchen grime can be washed off many things. However, material that’s stained, paper that’s torn, and glass that’s been damaged in the dishwasher and become cloudy is often marred forever (even if various sources say they can be corrected). Paper that’s musty might be freshened with a dryer sheet, but if the odor comes from mold, that’s a real problem.

10. In addition, when buying sets of any kind, make sure all the pieces are present. If the tag says the price is for a set of 86 dishes, take the time to count and locate all 86 pieces. The count might be wrong; a few of the pieces might have been broken or sold separately, or they might just be sitting a few shelves over. In any case, you want to get what you’re paying for, and if the set is less than advertised, you can ask for a better price or leave it behind.

11. Make sure that all the pieces packaged as a set actually go together, too. Mismatched cups and saucers are common; teapots and other containers often have the wrong lid, and all sorts of other items can get mixed up, especially in thrift shops and at charity sales when lots of people have their hands on the goods.

It’s okay to choose a Shabby Chic mix-and-match look, but look closely and double check, so you don’t think you’re getting a matching set when you’re actually getting a “marriage” of two different parts.

Feeling confident and inspired to go shopping? I am, but I better not.  I have more tips to write up.  Join us Friday when I’ll finish my list of collecting tips and tricks.

Patti
The Committed Collector

In the meantime, can you offer any advice for finding unusual items or negotiating better prices? If so, please leave a comment and share your tips.

© 2018 The Collectors of Western New York Museum & Gallery.
All rights reserved.